This painting-in-progress was the subject of my recent watercolor portrait workshop for the Nampa Art Guild held November 20, 2009. Demand for the class exceeded the available spaces, so we have scheduled another workshop for Friday, April 9, 2010 open to those members who weren't able to attend the November class. We will be doing this same portrait, which offers opportunities to render hair, fair skin, child facial proportions, and fabric.
Thursday, December 31, 2009
Wednesday, October 21, 2009
Monday, September 28, 2009
Bozo at the Nampa Art Guild Centennial 24 Juried Art Show
Tuesday, September 1, 2009
My Solo Show at the Eagle City Hall Gallery Opened Today
Tuesday, August 11, 2009
Essie's Garden, Parma
The University of Idaho, Parma Research & Extension Center in Parma, holds its Annual Fruit Field Day every September. This year, Dr. Essie Fallahi will again host a tour of the table grape vineyards, the new grape canopy experiment, and the apple, peach, and nectarine groves. This painting is from a photograph I took at last year's Field Day while strolling through the Center's vineyards. They were spectacularly beautiful.
Tuesday, August 4, 2009
Saturday, July 11, 2009
Art Source Gallery Seventh Annual National Juried Exhibition
Friday, February 13, 2009
Sunday, February 8, 2009
Idaho Watercolor Society Annual Spring 2009 Workshop
I will be teaching the Idaho Watercolor Society Annual Spring 2009 Workshop scheduled for March 13 and 14 at All Saints Episcopal Church in Boise.
We will be doing one half-sheet floral painting, spanning the two days of the workshop. My plan is to take attendees step by step through my “process,” from selecting a subject and formulating a strong painting from it, through creating the actual painting. The emphasis will be on the following techniques: underpainting, transparent glazes, negative painting, and creating hard and soft edges. Since we’ll only have a very limited amount of time, I’d like to focus on really mastering these few, but important, applications for watercolor painting.
We will be doing one half-sheet floral painting, spanning the two days of the workshop. My plan is to take attendees step by step through my “process,” from selecting a subject and formulating a strong painting from it, through creating the actual painting. The emphasis will be on the following techniques: underpainting, transparent glazes, negative painting, and creating hard and soft edges. Since we’ll only have a very limited amount of time, I’d like to focus on really mastering these few, but important, applications for watercolor painting.
Thursday, February 5, 2009
Wednesday, February 4, 2009
Tuesday, February 3, 2009
Thursday, January 8, 2009
Lily Marsh Pond II
This is a full-sheet painting (almost three feet wide), but the subject is a tiny wild rose probably no more that one and a half inches in diameter. At such a scale, the exquisite beauty found in the colors, shapes, and shadows of this blossom may go unremarked--but they didn't elude me. These bushy wildflowers were growing in profusion in May at the Lily Marsh Pond in Ponderosa State Park, McCall, Idaho.
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